fashion-runways:

RAMI KADI Un Souffle d’Orient Collection
fashion-runways:

RAMI KADI Un Souffle d’Orient Collection
fashion-runways:

RAMI KADI Un Souffle d’Orient Collection
fashion-runways:

RAMI KADI Un Souffle d’Orient Collection

fashion-runways:

RAMI KADI Un Souffle d’Orient Collection

(via sane-and-shining)

timemagazine:

How magic conquered pop culture: ”In the real world we’re busy staring at our phones as global warming gradually renders the world we’re ignoring uninhabitable. Fantasy holds out the possibility that there’s another way to live.” 

Illustration by Nick Iluzada for TIME.

i-donline:

Once the colour used to stereotype and suppress women, in the internet age pink means power. READ.

crfashionbook:

THE SCOPE

Your natural charms will bring friends and lovers to your feet

Read More


✧: “Joe [Wright] just told me: ‘You better make it good because it’s really significant.’ So, I felt very worried that it wouldn’t be good enough and I just made it and I thought, ‘Well, it’s kind of OK.’ Someone asked me before ‘What makes a costume iconic?’ It’s really only partly the costume designer. It’s really about Keira wearing it, at that moment, looking the way she does. The way that it’s framed. How Joe uses it. How it fits in the story. All those things make it something… It’s made to be at that moment in the movie, and its greatness comes from all those elements at the same time. I didn’t know it would be so good, you can’t know!” — Jacqueline Durran, costume designer for Atonement (2007).

✧: “Joe [Wright] just told me: ‘You better make it good because it’s really significant.’ So, I felt very worried that it wouldn’t be good enough and I just made it and I thought, ‘Well, it’s kind of OK.’ Someone asked me before ‘What makes a costume iconic?’ It’s really only partly the costume designer. It’s really about Keira wearing it, at that moment, looking the way she does. The way that it’s framed. How Joe uses it. How it fits in the story. All those things make it something… It’s made to be at that moment in the movie, and its greatness comes from all those elements at the same time. I didn’t know it would be so good, you can’t know!” — Jacqueline Durran, costume designer for Atonement (2007).

✧: “Joe [Wright] just told me: ‘You better make it good because it’s really significant.’ So, I felt very worried that it wouldn’t be good enough and I just made it and I thought, ‘Well, it’s kind of OK.’ Someone asked me before ‘What makes a costume iconic?’ It’s really only partly the costume designer. It’s really about Keira wearing it, at that moment, looking the way she does. The way that it’s framed. How Joe uses it. How it fits in the story. All those things make it something… It’s made to be at that moment in the movie, and its greatness comes from all those elements at the same time. I didn’t know it would be so good, you can’t know!” — Jacqueline Durran, costume designer for Atonement (2007).

✧: “Joe [Wright] just told me: ‘You better make it good because it’s really significant.’ So, I felt very worried that it wouldn’t be good enough and I just made it and I thought, ‘Well, it’s kind of OK.’ Someone asked me before ‘What makes a costume iconic?’ It’s really only partly the costume designer. It’s really about Keira wearing it, at that moment, looking the way she does. The way that it’s framed. How Joe uses it. How it fits in the story. All those things make it something… It’s made to be at that moment in the movie, and its greatness comes from all those elements at the same time. I didn’t know it would be so good, you can’t know!” — Jacqueline Durran, costume designer for Atonement (2007).

: “Joe [Wright] just told me: ‘You better make it good because it’s really significant.’ So, I felt very worried that it wouldn’t be good enough and I just made it and I thought, ‘Well, it’s kind of OK.’ Someone asked me before ‘What makes a costume iconic?’ It’s really only partly the costume designer. It’s really about Keira wearing it, at that moment, looking the way she does. The way that it’s framed. How Joe uses it. How it fits in the story. All those things make it something… It’s made to be at that moment in the movie, and its greatness comes from all those elements at the same time. I didn’t know it would be so good, you can’t know!”Jacqueline Durran, costume designer for Atonement (2007).

(via freaktarded)

80s-90s-supermodels:

"The Straight and Narrow", Vogue US, September 1989
Photographer : Herb Ritts
Model : Stephanie Seymour

stormtrooperfashion:

Lara Stone in “Stone Cold Fox” by Ben Weller for The Edit Magazine, July 2014

mrmoderngentleman:

mrmoderngentleman:

Jep


Too goid
gthegentleman:

Michael Pitt